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For those of you who are still watching your favorite TV shows at the standard resolution of 480p, you are missing out on an entirely new level of cinematic experience. That's right, I'm talking about watching your favorite movies at a higher resolution that exceeds anything that these low-budget movies could have produced. It is downright amazing how much better the picture quality of 1080p looks over its poor cousin, 480p. Now if only there were more titles on Netflix available in this new format... Owing to the quality requirements of CinemaScope , most Hollywood films produced in the 1950s were shot with an aspect ratio of 2.35:1. That's what this slim, yet potent number refers to when you see it on screen right before or after the film title--it is simply the ratio between the width of your LCD television screen vs . its height. But how do you get these widescreen movies onto your computer? Well, it's actually not that difficult, but I will discuss that later in this article. The main problem is that most people who view high definition content on their computer use non-widescreen televisions with a 4:3 aspect ratio. That's to be expected, though. Most computer monitors and TV sets - both LCD and CRT - are non-widescreen, and I'm sure you prefer to watch widescreen movies on your computer monitor. But for those of you who've watched a movie in the past that was shot in this "CinemaScope" aspect ratio, you'll remember that the screen was very narrow by today's standards. It is the same aspect ratio as a 4:3 television set! Well, we can't change the aspect ratio if we only see it on a non-widescreen monitor. That's where DVD & VHS ripping comes into play. During the DVD era, some cinemas did actually release "full screen" widescreen movies that were properly formatted for your TV set. I don't know how many of these titles are still available, but if you search your local video store or on Netflix, you're sure to find one. At the end of this article, I will describe one way to rip these fabled full screen movies. But let's first discuss frame rates and sound... Originally, when film was still in its infancy in the early 1900s, it was shot with 24 frames per second (fps). This lower frame rate was utilized to give the illusion of movement. If 24 fps did not seem sufficient, there were at least two other options: 96 fps and 48 fps. These higher frame rates produced a much slower image sequence when projected, but the advantage was that the picture was seamless from start to finish--no "flicker." In the late 1920s, when sound started being introduced in movies, it had to be shot with much higher frame rates so that it would match up with the regular silent film. cfa1e77820
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